Marc Swayze, Artist for Fawcett Comics , passed away yesterday at 99 years of age, and although it may not be clear at first as to why he happens to share the same synchro-page as Judy Garland, it will become obvious as you continue to read.
Of course I chose the video of Judy Garland singing "The Trolley Song", simply because of the synchro-fit, re: the extraordinary "trolley/train cluster synchronicity" found in both my blogs, note the first of these found in my post entitled Much Ado About 22 'n MacGregor's Two..Too.. Tou (Here). Because I have the uncanny ability of understanding what the inner twin world are saying, I am here, and you are out there. To put it as simply as I can, they expect us to "Swayze" along in synchro-jive fashion ;-)(-;
No disrespect is intended, butt mark my words, the inner twin world, had purposely designed Marc Swayze's first and last names, and then his own inner twin helped by adding their timely demise-- sacrificing their conjoined lives for a unique purpose.
Note the following excerpt from Marc Swayze's wiki page:
He is best known for his work on Captain Marvel and the Marvel Family during the Golden Age of comic books for Fawcett Comics, and is the co-creator of Mary Marvel with writer Otto Binder.WOW... I had never heard of Mary Marvel, and as a kid, I was a comic book junky?!
The following excerpts were taken from the Mary Marvel wiki page:
Artist Marc Swayze based Mary Marvel's design and personality upon American actress Judy Garland.[1]
Just before the Marvel Family's adventures ceased publication in 1953, Mary Marvel’s costume and appearance were altered: the neckline of her blouse was lowered slightly, her hair was shortened, and she now wore yellow slippers instead of the customary Marvel Family yellow boots. After Fawcett canceled their superhero comics line because of a copyright infringement lawsuit with National Comics (later DC Comics), Mary Marvel and her teammates went unseen for years.
So that would seem to explain why I wasn't aware of Mary Marvel during my comic reading era. HEY, but wait a minute, I was aware of Captain Marvel?! Okay, so maybe the question that needs to be asked, is why was Mary Marvel held back?! Perhaps the patriarchy at the time, weren't overly fond of having a "super female" thrown into the mix, one that could potentially influence all the young impressionable girls out there, especially a girl wearing more practical garb-- kick ass yellow boots and high cut neckline. As you can see however, from the image at left, the earliest version did have her wearing a short mini-skirt... which looked "girly" enough, so maybe it wasn't her 'physical image' that was the worry.  |
| The Marvel Family #78 (1952), featuring Mary Marvel's then-new look. Art by Kurt Schaffenberger. |
This comic cover at right is familiar in an "auddly" cryptic sense, the imagery reminding me of my October 5th post (Here), which includes the story of how the famous flying Ace, the Red Baron pursue's Wilfred May in his last battle, only to be struck down just as he's about to take out May. What turns out to be an unlucky day for the great Red Baron ends up being a very lucky day for May. Of course, the truth of the matter is that luck was never involved, but a purposeful influence and intervention from the inner twin world, who were secretly going about their business with setting the ground works for their own big CC-- "Coming out" and "Communication" to us.
Names play an important role in so far as the inner twin world mandate. It's no accident of fate that my first name is the same as Wilfred May's surname-- "May", and nor is it an accident of fate that the names Mary and May are diminutives (nick names) of "Margaret". I regard this as a name cluster synchronicity, as well as being part of a greater communication. The cover of the comic above at right depicts Mary being pursued by "The Red Vulture" in much the same way that Wilfred May was being pursued by the Red Baron, a story/synchro that I posted only a few days ago.
So then, consider my present circumstance, and that I'm being pursued by another "Red Vulture/Baron of sorts.
Given this synchro-communication, we can now be sure as to exactly how the inner twin world intends to respond to the threat that I'm now in the midst of, a threat that I've explained well enough in my Toumai post of July 5, 2012, entitled, PROTECTION (Here).
The inner twin world will most definitely respond, as they responded to the real life "Red Baron" threat and even via the fiction/comic threat where the Red Vulture is obviously in the process of being "decommissioned". The inner twin world, by generating these synchronicity clusters that come on the heels of timely deaths, are opening a door of communication, albeit one that is highly cryptic and so requiring some deciphering. As far as I can make of it all, they are relaying just exactly how this situation will be handled. If given no other choice they will continue with the same old pattern-- creating "Red Baron/Red Vulture" scenario's purposely designed to barrage against our world as a means of demonstrating their existence to us and ultimate power over us. At this point in time, there is one thing different than how things have been handled in the past, and that is we are now aware. The Red Baron (outer twin) was not aware of his inner twin or the parallel world and nor was he the slightest bit aware that his death would be orchestrated in such a way that it would "synchro-speak" to us today.
For the first time, and only because the inner twin world have made it so, we are now aware of what has been going on, and continues to go on behind the scenes. We now know that the inner twin world is behind synchronicity. It is up to my attackers -- the Economical Insurance Company, Raymond Sullivan and their Conglomerate Web to step up to the synchro-plate. To stop their pursuit, lay down their arms and take a glorious BOW... and trust the inner twin world if not for any other reason than to save their own butts, not for tomorrow because they care nothing about the future, but to save their butt's today.
So, with that said, I encourage the "Red Baron/Red Vulture's" of the world to heed the inner twin world -- to consider the definite heads up. Even though my position is frightening and precarious, I'm much more relieve now ... I sure would not want to be playing the "Red Baron/Vulture" part. I've stated before and I will state once again, in so far as those whom I 'consider' to be my enemy, "there but the grace of God/Goddess/Nature/Inner Twin World, go I." Things could have been very different.
Via the school of hard knocks, the inner twin world have brought us to this point where we are able to finally "get it", and because of this greater knowledge, we are now being offered a choice-- the game can continue as always, or we can move in the direction that they have planned and hope for. We can come down from our altars and become the help-mate that the inner twin world deserves.
Note this next excerpt:
Mary Marvel's first appearance in Captain Marvel Adventures #18 also relayed her origin story.So, Mary is a twin... and we know how the inner twin world like to generate "twin" synchro's as a trademark signature. Also we have the surname "Bromfield"-- the suffix "field" adding to a major cluster synchronicity concerning the word "field" and/or other words that in origin have the meaning of "field", ie: lee/leigh. The prefix "brom" refers to a small shrub that generally blooms yellow, which happens to be where the word "broom" comes from, since brooms were made from this shrub. Hmmm, witches ride brooms... and Halloween is coming up!!
As infants, twins Billy and Mary Batson were nursed by a woman named Sarah Primm. When the Batsons' parents die in a car accident, Primm was required to send both children to an orphanage. However, Primm is determined to at least give one of the children a home, and arranges for Mary to secretly take the place of another baby girl who had suddenly died while under Primm's care. As a result, Billy is sent to an orphanage while his sister is raised by the wealthy Mrs. Bromfield.
As the story goes, the twin's, Billy and Mary are separated while they are still infants, however, they find one another as adolescents. Hmmm, could this be a way for the inner twin world to explain our conjoined situation (now that we in the outer twin world are more knowledgeable or "older", we are able to become aware of our inner twin, and so no longer separated). By this time, Mary's twin, Billy, already has super powers given to him by "Shazam" and Mary wonders if she is able to acquire the same. Note the following story excerpt:
Captain Marvel then learns that Mary's locket matches his own, and that she is indeed Billy’s sister. The Marvels reveal their secret identities to Mary, who wonders if, since she is Billy’s twin, she could become a Marvel by saying the magic word "Shazam". Billy, however, is assured that “Old Shaz—er—you know who—wouldn’t give his powers to a girl!”
Just then, the kidnappers awaken then bind and gag Billy and Freddy, preventing them from saying their magic words. Mary realizes that Billy cannot say Shazam, inadvertently saying the word. She is then struck by a magic lightning bolt and transformed into a super-powered version of herself, later christened "Mary Marvel" by her brother. She then defeats the thugs by herself, realizing that she is invulnerable to bullets when they fire at her and has super strength, and frees Billy and Freddy. Shazam then reveals the 'goddesses' she gets her powers from.
Color factors in with Mary's character, literally with the changes to her costume. Hmm very much in keeping with the "color cluster synchronicity" as of late... and including my previous post that focused on a myriad of color of a goal tenders many uniforms. Now, as you can see, by the image at left, we have a Black Mary entering the scene... AND, since we know about "Madonna" being "Mary" (mother of Jesus) we now have a synchro-connect with the "Black Madonna" of antiquity, which has also been the subject matter of posts in my Toumai blog, and this one in particular (Here), refers to the HOUSE OF THE BLACK MADONNA.There's another much earli
er post in my Toumai Blog (Here) that synchro-connects in that I had put up this photo shown at right. Do note the power that Mary/Madonna has over the snake that is trying to make off with the apple (knowledge). Now I wonder if that's a red shoe or is that a boot under her garb?! Note this excerpt from the post:The picture came from a Halifax paper a few months ago and it was included amongst many 'off beat' designs that I found A little Artsy and bold for the Globe so I took pictures of the three that stood out to me (thought I would include the other two... they're fun).I think the inner twin world are stating in a roundabout way, that they are able to generate synchronicity within our lives on both a small and/or grand scale, and to the point that certain individuals appear to be bestowed with super power... even common every day folk like Jesus and Mary. Enough so people can be convinced in believing whatever it is that the inner twin world care to promote. I think it all fits in to a story line that would best bring us along and to this point in time when we are mature enough to acknowledge the truth. This doesn't mean the transition will be easy, but from what I can gather, it's necessary for our survival.
Sometimes pictures say a thousand words, so it stands to reason that this would be one very creative way for the inner parallel world to communicate... aren't our dreams made up of symbolism a good part of the time... perhaps our dreams are much more than just 'our' dreams?
UPDATE:
While your at it, and in case you haven't been following along, you might want to have a look at the following stats taken from other previous Pronoia Secret post (Here and Here):
Flying Aces and Synchro-###-Clusters:
- The Red Baron (2 May 1892 – 21 April 1918), German pilot and top ace of World War I, died in battle on the 111th day of the year
- Wilfrid May (April 20, 1896 – June 21, 1952) was the final allied pilot to be pursued by the Red Baron. May’s birthday of April 20th falls on a leap year, making it the 111th day of the year.
- Billy" Bishop (8 February 1894 – 11 September 1956), top Canadian ace in World War I, died on 9/11, after which there are 111 days remaining in the year.
Now, THAT is protection!! What can beat 4 Aces in a single hand?! How this all works out in the end is yet to be determined. I've played my part, and so it simply lays in the hands of the "Red Barons/Vultures" out there. Are they brave enough?! Will they do right by the inner twin world... by our conjoined worlds, or are they good to go another round... and another... and another, that is, if the inner twin world are even willing to allow things to go another round... perhaps things have evolved to the point where they can now take another route-- like give our our conjoined brain one mighty ZAP altogether, one that will banish our sorry butts to Zombie land. That's my tou sense worth anyway... I'm just throwing it out there as a possible scenario.
- Snoopy, fictional birthday has been established as August 10, 1950, the 222nd day of the year.
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