The Deaths in 2014 site lists under March 4th:
When it comes to the pattern-clusters generated by my inner twin and/or the inner twin world, it's important to be alert -- even the most subtle coincidences, such as this one, needs further investigation. Note this excerpt from Wu's wiki page:
This is an addition to the "Targeting Family Birthdays" pattern-cluster... given that June 13th is my birthday. The triple "999" in the year is an addition to the "Identical Number Sequence" pattern-cluster, and because the number 9 shares the same key on my computer key board as the "(" left bracket, the cryptic communication is that the inner twin world are very unhappy-- with our outer twin world. Hence why they are waging a war against us... a war that involves their influencing tragic events both small and big ie: 9/11 (note the "twin" tower destruction of NYC and as well that as of 9/11 there are 111 days left in the year), as well as the timely deaths of notable individuals such as Wu and so many others posted about on this blog.
Wu being Chinese and his notoriety due to his involvement in the film industry, stands out because in the last few days, my Chinese-Canadian friend Jia Tsu and I have been emailing back and forth in regards to a National Film Board short animation developed from a story that she had recounted to the animation artist re https://www.nfb.ca/film/mary_myself/clip/mary_and_myself_clip1
- Wu Tianming, 74, Chinese film director and producer, heart attack.[1]
When it comes to the pattern-clusters generated by my inner twin and/or the inner twin world, it's important to be alert -- even the most subtle coincidences, such as this one, needs further investigation. Note this excerpt from Wu's wiki page:
...directed the acclaimed film The King of Masks.[1]I consider the acclaimed film to be another lead. Note the following from the films wiki page:
| Release dates | June 13, 1999 (USA) |
|---|---|
The film itself is meaningful due to the following excerpt from the Synopsis on its wiki page:
Wang is The King of Masks, an aged street performer who practices the change-mask opera art of bian lian. He laments that he has no male heirs to carry on his mysterious and complicated art and trade. At an illegal child market, Wang buys what he believes to be an orphan boy to become his adopted grandson and apprentice.
However, Wang soon learns his new disciple is in fact a girl. As tradition dictates that he cannot pass his art onto a girl, he tries to abandon her, but she stubbornly stays with him. While looking at his masks, she accidentally sets his humble residence on fire. Out of guilt, she runs away.
The above is particularly meaningful because my friend Jia Tsu had started up in Halifax, "MuLan Chinese Cultural Center and Tea House", which has since closed with her move to Vancouver. The name of her venue had been taken from the story of another Chinese "girl", MuLan -- a warrior who was also thought to be a boy.
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